陶 立體

國立東華大學藝術創意產業學系研究所畢業

張芷軒以陶土為媒介，關注人與自然之間的互動，探尋「存在」的狀態。透過採集泥土、紀錄色彩與痕跡，讓身體節奏與環境對齊，並將風、光、時間與聲音帶入作品，尋找一個不需被解釋、剛剛好的存在空間。創作過程保持開放與流動，透過排列、累積與反覆確認，在未完成中沉澱與形變，以碎片拼湊與群組堆疊的方式，記錄過程中的呼吸與停頓，拼出一個可以安放的座標。

Chih-Hsuan Chang works with clay to explore the relationship between human presence and nature. By collecting soil and recording colors and traces, she aligns her body with the rhythms of the environment, bringing wind, light, time, and sound into her work to create a space where existence is simply allowed.

Her process is open and fluid, forming through accumulation and rearrangement in an unfinished state. Fragments and clusters record moments of breath and pause, shaping a place where one may come to rest.