水墨 東方媒材

出生於臺灣花蓮,現工作並居住於臺北。

國立臺北藝術大學美術學系博士班 博士候選人。

作品獲國立台灣美術館、藝術銀行典藏、私人收藏等。

目前持續教學、藝術研究與創作。

羅盈嘉將風景轉化為介於記憶與想像之間的感知場域。她筆下的景象並非具象再現，而是「凝視的痕跡」——如遠方的回聲般持續牽引。藝術家刻意保留留白與不確定，使觀看成為光影消散、空氣層次與靜默停駐的節奏。作品不以敘事為核心，而是邀請觀者進入無語的風景，在凝視與共鳴中，尋回記憶深處被遺忘的片刻。

Ying Jia LOU transforms landscapes into perceptual fields suspended between memory and imagination. Her images are not literal depictions but “traces of gazing,” echoes that draw us toward an unattainable distance. By embracing blankness and uncertainty, she turns viewing into rhythm: the fading of light, the layering of air, the stillness of silence. Rather than telling a story, her works invite a meditative encounter—where looking becomes resonance, and landscapes emerge as spaces of repose. In this quiet field, viewers are guided to rediscover moments once forgotten, carried within the dialogue between vision, memory, and imagination.