繪畫

2004 紐約市立大學市立學院(City College)藝術研究所畢(M.F.A.)

1998 國立台灣藝術大學 美術系畢

莊臥龍的創作建立於非敘事性的視覺結構，畫面如神經網絡般流動、堆疊與閃現，生成非線性卻共感的觀看經驗。他借鑑水墨的「苔點」，將筆觸轉化為視覺訊號節點，如山林夜間閃爍的微光，既是時間痕跡，也是空間滋長的節奏。這些節點與裂縫編織出去中心化的動態網絡，進一步延展為「時空晶體」——一種在時間中週期震盪、在空間中層層生成的節奏場域。作品邀請觀者自由游移，進入不斷變化的多重視覺時空。

WoLong Chuang builds his practice on non-narrative visual structures, where images flow and flicker like neural networks, forming nonlinear yet resonant experiences. Drawing from the taidian of ink painting, he transforms brush marks into signal nodes—like mountain lights at night, both traces of time and rhythms of growth. These nodes and fractures weave decentralized visual fields that extend into “spacetime crystals”: rhythmic structures that oscillate through time and generate layers in space. His paintings invite viewers to drift freely across shifting pathways, entering an ever-evolving field of perception where light, line, and rhythm converge into dynamic spatial-temporal landscapes.